More analysis on the cost implication for longterm maintenance costs, looking at whether any of our documents have space. It sounds like we have flexibility, but just to take it a step further and start thinking around things like siting, funding and resources. Im not sure where we are with our tida budget, but we woumay have to look at 134 creative ways creative at some creative ways to fund it. Commissioner shen. Yes. Thank you, commissioner john bitoff. I know you played a role in making sure the pieces of the fountain were parked up and preserved. But certainly, the fact that this was a focus on the pacific was certainly at that time when everybody was looking to europe and the atlantic, certainly a way of marking our difference being on the coast of the pacific looking towards that part of the world. So i think that that was a wonderful thing to have done. And the fact that these were artists, sotomayor and covarrubias showed the diversity of artists that were working on the islan
Perspective, i think as the next step, we have definitely continue evaluating both indoor and outdoor options, thinking doing a little bit more analysis on the cost implication for longterm maintenance costs, looking at whether any of our documents have space. It sounds like we have flexibility, but just to take it a step further and start thinking around things like siting, funding and resources. Im not sure where we are with our tida budget, but we woumay have to look at 134 creative ways creative at some creative ways to fund it. Commissioner shen. Yes. Thank you, commissioner john bitoff. I know you played a role in making sure the pieces of the fountain were parked up and preserved. But certainly, the fact that this was a focus on the pacific was certainly at that time when everybody was looking to europe and the atlantic, certainly a way of marking our difference being on the coast of the pacific looking towards that part of the world. So i think that that was a wonderful thing t
Covarrbias murals and the pacific fountains. Five of the six murals have been lovingly preserved. One has been missing since the 60s, which is sad, but the rest are preserved, while the fountain languishes with a certain amount of pathos on the island. San francisco should be proud that this fountain recognizes the citys recognition of the pacific as a united a unity of economic and cultural partners. San francisco recognizes that community and gave it breathtaking vision in the world fair, especially in the art of that fair. Thank you. Thank you very much. Thank you. Thank you for your great presentation and who else is coming . [inaudible] okay. Yes maam. Just say who you are. Good morning. My name is claire isaacs. I was director from the San Francisco Art Commission from 1983 to 1990. I also ran an art center for the city of los angeles and did Education Programs for San Francisco museum of modern art, and im here to speak about the artistic quality of this great work of art. Ive a
We need to look at some places on Treasure Island where we have space, and Different Things will have to be taken into consideration before you can place anything permanently. So i think from my perspective, i think as the next step, we have definitely continue evaluating both indoor and outdoor options, thinking doing a little bit more analysis on the cost implication for longterm maintenance costs, looking at whether any of our documents have space. It sounds like we have flexibility, but just to take it a step further and start thinking around things like siting, funding and resources. Im not sure where we are with our tida budget, but we woumay have to look at 134 creative ways creative at some creative ways to fund it. Commissioner shen. Yes. Thank you, commissioner john bitoff. I know you played a role in making sure the pieces of the fountain were parked up and preserved. But certainly, the fact that this was a focus on the pacific was certainly at that time when everybody was l
Whether any of our documents have space. It sounds like we have flexibility, but just to take it a step further and start thinking around things like siting, funding and resources. Im not sure where we are with our tida budget, but we woumay have to look at 134 creative ways creative at some creative ways to fund it. Commissioner shen. Yes. Thank you, commissioner john bitoff. I know you played a role in making sure the pieces of the fountain were parked up and preserved. But certainly, the fact that this was a focus on the pacific was certainly at that time when everybody was looking to europe and the atlantic, certainly a way of marking our difference being on the coast of the pacific looking towards that part of the world. So i think that that was a wonderful thing to have done. And the fact that these were artists, sotomayor and covarrubias showed the diversity of artists that were working on the island, as well, and that whole theme of peace which was working with the fair, and wa