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Esther Dorothee Safiatou in The Last Shelter In art, and especially in filmmaking, there is the notion of meat the most potent, telling, essential segments of a film, as opposed to fillers, parts that just serve to fill the running time. Malian filmmaker Ousmane Samassekou s , which world-premiered at CPH:DOX and won its top prize, the Dox:Award, is all meat. The film kicks off on an appropriately intense note, with an improvised graveyard on the edge of the city of Gao in Mali, in the south-west of the Sahara. People buried there, often with just an approximate year of birth scribbled on the metal markers that stand in for gravestones, were inhabitants of the House of Migrants, which has for decades been hosting migrants on their way to Algeria, and then hopefully on to Europe, or those coming back after an unsuccessful attempt to find their place in the imaginary paradise of the West.

Burkina fasoSouth africaComunidad autonoma de catalunaPierre daven kellerAl qaedaEsther dorothee safiatouOusmane samassekouLast shelterSaharan africaGeneration africaபுர்கினா ஃபாஸொகாமுனிடட தன்னாட்சி டி கடலுள்அல் கீடகடந்த தங்குமிடம்