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Nodding to everything from pre-Columbian deities and Colonialism to horror classics and modern-day monsters, the brothers' wide-ranging projects boast narratives as stacked as the objects themselves.
If paño arte is the private-facing practice of artists serving time in penitentiaries across the United States, then artepaño encompasses the afterlife of the artifact.
“You Belong Here” opened last month at the Michael C. Carlos Museum in Atlanta. The work on view, writes Rivas, seeks to “take a broader perspective on the Latinx archive across time” in ways that are “relevant to the processes of visibility and belonging that are not fixed but ever evolving.”1 The show brings together artists from distinct communities and artistic traditions while not aspiring toward definitiveness or full “arrival.” Ar