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Ten Days on the Island: blistering rock, raw urgency, tenderness and dagginess in a festival spread too thin

Since its launch in 2001, the biennial Ten Days On The Island has aimed to be a festival for the whole of Tasmania, bringing in international artists and putting local artists on the world stage. This year, as in 2019, the festival’s program and the titular “ten days” are spread across three weekends. With travel bans and conservative limits on theatre capacities, the program is thinner than usual, making the stretch across the state an even greater challenge. Artistic director Lindy Hume proposes a Romantic, rather than Gothic Tasmania, placing Jess Bonde’s photographic re-imagining of Caspar David Friedrich’s 1818 oil painting The Wanderer Above a Sea of Fog as the festival’s central image.

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