Moscow. What are you experiencing right now . I know that you worked at masfilm during the evacuation, right . And you had a dream to visit this film studio in moscow. And it turns out that so many years later your dream has come true, and you are here on stage, celebrating the centenary with us . Well, first of all, i was from almaty when i was evacuated there. This is a film studio, here is a motsfilm, but i didnt even think about it, i later, but life forced me so that i had to get a job in a film studio, i worked there until i was called up to the army, we are great, young guys. Well , we completed the task that was set for us, to help release films as best as possible so that they happen, but we are focusing on you, because here we have a man who shot the film ivan the terrible together with sergei izenshtein, that is, he made a masterpiece , and then he took berlin, these are the people, thank you. I would like for you to join us now, yes, seryozha, thank you very much for the wa
After training in the winter, you come and look, its very nice, in the locker room i also hear from the guys, what they saw, saw, there, i say, well, those are the windows i have they go there, great the football fields are located in a large residential area with highrise buildings, so the artists hundreds of spectators will see such a new years card in the morning, which is not a miracle, its a pity, but such drawings last no more than a couple of hours, the snow needs to be cleared off every evening, training takes place on the field, but for the audience. Diversity, they wonder what will appear next time, i thanked him and said, well, you are making us such beauty, because it is generally so unusual, you can feel, so to speak, the hand of a master, we admire it, we are waiting every day, the snow has fallen, now we will have a new film, the main thing is that the weather does not let us down, lyubov filipova, roman serebrennikov, natalya moshtakova, channel one nizhny novgorod, tha
Natasha, well, now they will look for us all over the shore, but they wont come back here, just think, victory, gone, its the end of vacation, a week, yes. Why did you start this chase . Were going back, what can we do . Really, breathe. What are you doing . Natasha, well set up a tent, whatever you want , i dont care now, you wrote off the addresses, i dont think theyll leave, you got to the victims, yes, it turned out stupid. For tell me, what can i tell you, just honestly, would you like more of course i would like to see roman, but you just amaze me, tell me now, who, who needed your integrity, well , we still achieved, we achieved, what we achieved, loneliness and in general . You treat people like your lions. Natasha, calm down, natasha, weve arrived, everyone says, love is poison, love is poison, love is poison, but the heart cannot be forbidden to love. Cannot be prohibited, cannot be prohibited, because not to love means not to live, who will give the answer, one way or not, b
They called, well, wait, we need to figure it out, you see, but for me please , there is no cake with cream, well then please give me just scrambled eggs from three eggs, eh, i was daydreaming about two, okay, im waiting, but what about you, van . I dont know, maybe tea with lemon , please give us two teas with lemon, have you guys eaten too much, what lemons in winter, well then just tea with sugar and two sandwiches with cheese, we dont keep sandwiches, but that there is a guy, berry fruit, the sun. Zar, caucasus, akhshtafa, well, no, we dont need that, really, van, really, so what, this thats all, thats it, ah, im also clients, you know, i still like the sorcery, the magic here, but. Theres just something wrong with them here, its unfinished, what s wrong, look what they ve done, its unfinished , i ll go with them to the prosecutors office, heres your order , it would be something to make a fuss about, i just need to get to their director, this idiot, i dont need to do that, sorry,
Lenya, take this into account in your plan for next year. In such a situation, the director could dictate the terms even harsh soviet censorship. However, when gaida decided to film Mikhail Bulgakovs novel run, this idea did not find support in state cinema. Then the director took over. Bulgakovs play ivan vasilievich. In the early seventies, the previously banned play was already staged in theaters, but censorship still considered the writers ideas antisoviet. To make bulgakovs film adaptation look loyal, a lot of art was required. In august 1971 , gaida invited playwright vladlen bakhnov as a coauthor. They worked quickly, and already in the fall their script was accepted by the editorial board. In at the beginning of december, gaida and bakhnov sat down as director. The script was sent to the Cinematography Committee in january 1972 oh woe is me, oh woe is me, calm down, woe is me, you drink vodka, anishavai, to avoid the censors nagging, the scriptwriters transferred the action of