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Now You See Us: Women Artists in Britain 1520-1920, Tate Britain Art review by Sarah Kent – a triumph

Rescued from obscurity, 100 women artists prove just how good they can be. Visual arts review by Sarah Kent

Review: Tate Britain's revelatory exhibition of women artists, Now You See Us

This extensive survey contains an intriguing array of forgotten works across multiple disciplines.

Now You See Us: Women Artists in Britain 1520-1920 review – revelations and mystifying omissions

A Flemish ‘paintrix’ at the court of Elizabeth I, a magnificent mouth artist and a glamorous suffragette are finally given their due in a show tracing female artists’ rocky road to recognition. But the story too often takes precedence over the art

'Now You See Us': Tate Britain celebrates 400 years of ignored female artists

Ambitious group show charts women's road to being recognised as professional artists

Now You See Us: Women Artists in Britain review – this changes everything

The Basics of Art History | Andre Pijet

Short cut through the most important facts in History of Art.

A Royal Love Affair: The Mystery of Amy Robsart Dudley's Death

This was a prestigious position at court, and no one except the Master of Horse was allowed to physically touch the young Queen Elizabeth. The two of them became increasingly intimate, and Amy Robsart Dudley saw her husband less and less. The Queen and her Master of Horse spent a lot of time together, and Dudley’s duties pertained not only to the obligations of the Master of Horse, but also for the queen’s accommodations and her travel arrangements. To make things even more odd, his sleeping quarters were adjacent to those of the Queen. This became the talk of the court, and Count de Feria even mentioned it in detail: