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As his new novel The Future Future is published, Adam Thirlwell talks with Hans Ulrich Obrist about how he overcame his hatred of historical fiction, writing from a woman’s perspective, and why the novel is a “form of control”

New yorkUnited statesUnited kingdomFrance generalNew yorkerHans ulrich obristPhilippe parrenoFinn blythePaulb preciadoTextfinn blytheCraig barritt gettyLewis ronaldrightAdam thirlwellAlessandro manzoniZadie smithPhilippe descola