Hong Kong martial arts star Chen Kuan-tai took pride in having been a kung fu professional. Ti Lung was handy with a sword in wuxia films and, like Chen, a regular in Chang Cheh’s films for Shaw Brothers.
From Jackie Chan's action comedies to Stephen Chow's mo lei tau classics, from Wong Kar-wai's swooning romances to Donnie Yen's martial arts epics, and from the time where hundreds of movies were being churned out every year to the current market completely dominated by Louis Koo, this is the place to go for features, interviews and reviews about movies both classic and new from Hong Kong.
Hong Kong directors are often celebrated for making a particular style of film. Not Chor Yuen or Li Hanxiang. The former went from melodramas to martial arts movies, the latter from period dramas to soft-core sex films.
Although Hong Kong cinema has often used shocks to attract audiences, proper Cantonese-language ghost films didn't start being produced until the 1980s, when the genre was combined with kung fu and comedy in hit films like Sammo Hung Kam-bo's Encounter of the Spooky Kind. As for horror, cheap copies of American movies were produced in the early 1970s to ride.