hello, my darlings! how is everyone today? hi. in good voice, i trust. thank you. bella, darling, you know what i think we should do? i think we should simplify it. let the hosts come in, introduce me, we ll pitch the charity a little bit, broadway hearts for hearts, and, um. man: and remember when she gets to the first the things we do for love, stand by for snow drop. shall we? [ the things we do for love plays ] this number has always been one of my favorites a classic love song from back in the day. stand by for cue. communication is the problem to the answer. you ve got his number, and your hand is on the phone. the weather s turned, and all the lines are down. the things we do for love. ? the things we do for love ? cue snow. cue snow. ? like walking in the rain and the snow ? ? and you re feeling like a part of you is dying ? ? and you re looking for the answer in his eyes ? need more snow than that. ? you think you re gonna break up ? ? then he says he wants
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Linda Nochlin, American feminist art historian whose 1971 article “Why Have There Been No Great Women Artists?” led to new research into forgotten and underappreciated women artists throughout history and, more broadly, raised consciousness among scholars regarding the way history is analyzed and