7 Cinematics Adam Paul discusses how to take a craft approach to large-scale live music streaming, that emphasizes creativity, engagement, and the way fans experience music, and minimizes gear requirements in this clip from a streaming-at-scale panel at Streaming Media East 2021.
How to Simplify Complex Remote Productions With NDI, Microsoft Teams, and vMix How to Simplify Complex Remote Productions With NDI, Microsoft Teams, and vMix At present, Microsoft Teams and Skype for Business are the only two videoconferencing apps that support NDI. We have built our remote streaming solutions around Teams. Here s how it works. Page 1
Network Device Interface (NDI) is a standard developed by NewTek that enables compatible video products to deliver HD video over a computer network. NDI is royalty-free software and is suitable for use in a live production environment. As part of my Streaming Media University Live Production With vMix session, I explained how producers can use NDI in the context of a vMix workflow. The same principles apply in workflows with NewTek’s NDI switchers and other software switchers that support NDI, like OBS.
Through its Rendezvous feature, Telestream s Wirecast was one of the first video mixers to enable completely customizable multiple-party conferencing in 2017. Telestream has upgraded the feature s functionality in several subtle but critical ways, which I ll discuss in this article.
The HuddleCamHD Pro (USB 3.0), certified by Zoom Video Communications, and Pro IP (4K NDI) electronic PTZ webcams come with a handheld IR remote to control PTZ functions.
Adapting an Existing Multicamera Switching Setup for Streaming The shift from live-switching to live-switched streaming since the pandemic started has required me to adjust my workflow to meet my clients current demands in the most cost-efficient manner possible. In this tutorial, I ll discuss the adjustments I ve made, explaining how to adapt the gear you have with one additional minor purchase rather than having to invest in a whole new streaming switcher. Page 1 of 2 next »
If you’re like many people in the live audiovisual field who have lost a lot of jobs due to the COVID-19 pandemic, you are trying to adapt to the playing field and have a lot of expensive equipment sitting around that is not being used much. In a normal year, half of my income comes from producing multicamera, live-switched events produced on location and completed in post. The “new normal” allows only for live-streamed multicamera virtual events. Th