Little new idea that comes up, every glimpse. Tony is the music. He unites everyone. He cares about securing the future of opera and helps to train the big names of tomorrow. Maestro pappano has been a great| help into Nurturing Talent of people like me who are young artists. Hes very encouraging. I go Behind The Scenes at the Royal Opera House to see tony in action and ask if opera is losing its relevance for new audiences and whether he thinks its making itself fit for the future. I think every major opera house wants to entice younger audiences. It must do everything and be open to the interests of many different people. Let me take you to the opera sir Antonio Pappano, or tony, as he prefers to be known, has the Signature Flair of his italian roots, combined with a detailed knowledge of music that has made him one of the most popular conductors of our age. Tony has been in so much demand that over the last two decades hes simultaneously held two leading posts Music Director at the
Sir Antonio Pappano, or tony, as he prefers to be known, has the Signature Flair of his italian roots, combined with a detailed knowledge of music that has made him one of the most popular conductors of our age. Tony has been in so much demand that over the last two decades hes simultaneously held two leading posts Music Director at the Santa Cecilia orchestra in rome and at londons Royal Opera House. Hes such a unique personality as well as a wonderful musician and artist. Theres that inimitable fire, that unquestioning commitment that he brings to every single performance that he does here. Its that level of passion which really comes across. Cheering and applause he steps down from his post in rome in september 2023, and the following summer, he leaves the Royal Opera House after a record 22 years. But it wont mean the end of tonys love affair with opera. He will be a Guest Conductor here at the Royal Opera House in Covent Garden, where there have been so many key changes during his
Cultural life, the radio four podcast, she reveals her formative influences and experiences, and how her passion for playing was there from the start. I knew very young there was no question i wanted to play the violin. There was no question that that was what i must do and had to do and wanted to do. Have you played here much, nicky . They chuckle nicola benedetti, welcome to this cultural life. Thank you so much for having me. Its an absolute pleasure. You were born and brought up in north ayrshire. What are your earliest musical memories at home . What memories do you have of music being played at home . The bee gees and abba. Later on, good dose of shania twain. That was all my dads taste. My mum definitely had a kenny g record. Um. She laughs saxophone . Theyll kill me for saying all of this quite like this, but its the truth both of your parents were born in italy, werent they . Yes. Was it an italian household culturally growing up . Its a good question. I would say both parents
But its the truth both of your parents were born in italy, werent they . Yes. Was it an italian household culturally growing up . Its a good question. I would say both parents assimilated very concretely and quite deliberately with scottishness and scottish culture, but they also came over very young. My mum was three years old. An italian speaking three year old with an italian mother and scottish father. Um. Came over to scotland and, er. Was sort of banned from speaking italian quite quickly. It was considered to be detrimental to her education and all sorts of things. We know better now. So my mum lost most of her italian, um. And it was a very scottish upbringing from that moment forward. And my dad, he came over when he was kind of ten or ii. Came over without his parents. Had a rough time, you know, adjusting to such a different culture. It was a good, healthy mix. But as far as mealtimes go and food, we were italian all the way. You mentioned you started playing the violin at t
He wins praise and plaudits for his style and brilliance. He wants to smell every little new idea that comes up, every glimpse. Tony is the music. He unites everyone. He cares about securing the future of opera and helps to train the big names of tomorrow. Maestro pappano has been a great help into nurturing talent of people i like me who are young artists. Hes very encouraging. I go Behind The Scenes at the Royal Opera House to see tony in action and ask if opera is losing its relevance for new audiences and whether he thinks its making itself fit for the future. I think every major opera house wants to entice younger audiences. It must do everything and be open to the interests of many different people. Let me take you to the opera sir Antonio Pappano, or tony, as he prefers to be known, has the Signature Flair of his italian roots, combined with a detailed knowledge of music that has made him one of the most popular conductors of our age. Tony has been in so much demand that over th