Rick abath voiceover i was panicking. I didnt realize i was panicking, but i was completely panicking. I was afraid that they were going to set the place on fire after they were done. That was my fear. God, i hope they dont burn the place down. [suspenseful music] hello. And welcome to how it really happened. Im jesse l. Martin. Bostons Isabella Stewart Gardner Museum is known for its vibrant Art Depicting Picturesque Dutch and renaissance scenes. But on One Dark Night in 1990, the Museum Became the scene of a horrifying crime. Robbers swept in, terrorizing the guards, and taking 13 works of art now worth half a billion dollars. The sinister smash and grab left the fbi with a mind boggling mystery on their hands. Where are the missing masterpieces and who were the masterminds behind this audacious heist . This is how it really happened. [suspenseful music] kelly horan voiceover march 17th, 1990, is st. Patricks day, which is practically a National Holiday in boston. Randi kaye voiceove
And fancy working in an enormous Train Station . I dont know if youve noticed, but there seems to have been a lot of election talk of late. This week, click is taking a trip to paris where, this weekend, the french take to the polls in the first round of their president ial election. And curiously, from a Technology Point of view, the way we vote seems, if anything, to be going backwards. In the last election, france did allow online voting for those living overseas. But not this time. For both the president ial elections and the legislative elections injune, it is back to pen and paper. And that is due to the fear of cyber attacks, which the French National Cyber Security agency says are an extremely high risk. Queues of people, paper voting surely there has to be a better way. Well, we asked bbc newsbeats Political Editor Jonathan Blake to have a look. Ancient institutions and modern technology the two do not always go together. As elections are held worldwide throughout 2017 that co
Jay DeFeo (1929–1989) and Bruce Conner (1933–2008) had that kind of telephone talk marathon a listener feels present at, despite time and place making such an experience impossible. It endures in its strangeness, having been imitated by a photograph of Conner’s telephone dial, to which Defeo responded by a sending of one of his body photos with the dial stuck on: about which he writes: “I had become the telephone.” But we hear it, savor it, and applaud Bruce Conner for memorializing it five years after her death.