31/01/2023 - The institution has shared information about its activities past and future, from the success of Slovenian cinema at home and abroad last year, to filming, distribution and festival schedules for 2023
The institution has shared information about its activities past and future, from the success of Slovenian cinema at home and abroad last year, to filming, distribution and festival schedules for 2023
31/01/2023 - L'istituzione ha condiviso informazioni sul successo del cinema sloveno in patria e all'estero l'anno scorso e i programmi di distribuzione e festival per il 2023
31/01/2023 - The institution has shared information about its activities past and future, from the success of Slovenian cinema at home and abroad in 2022, to filming, distribution and festival schedules for 2023
LJUBLJANA: Slovenia's total cinema admissions in 2022 climbed up to the pre-pandemic numbers and reached nearly 1.8 m EUR, whereas the attendance...
LJUBLJANA: Slovenian comedy At Hostar 2‰ by Luka Marčetič dominates the opening weekend box office in domestic cinemas with 28,689 admissions and 194,...
LJUBLJANA: In 2021 the impact of the COVID-19 pandemic on cinema exhibition and film production was still significant. Shooting was still limited beca...
LJUBLJANA: Admissions to domestic films reached 16,867 in 2021, compared to 24,470 in 2020, and the gross was 54,332 EUR (compared to 80,900 EUR in 20...
Andraž JeriÄ â¢ Producer, Temporama
"Slovenian film producers are a versatile, determined bunch"
Slovenian producer
Darko Å tante, had its world premiere at Toronto in 2018 and went on to win five top national awards at the Festival of Slovenian Films. He is now working on five new projects with his company Temporama. JeriÄ was selected to participate in the EFPâs Producers on the Move for 2021.
(The article continues below - Commercial information)
Cineuropa: What drives you to make films, and how do you pick your projects?
Andraž JeriÄ: When we set out to establish Temporama around eight years ago, it was with the intention to work with the younger, up-and-coming generation of Slovenian filmmakers. I think we've been quite successful in that regard, with our focus centred mostly on feature debuts and shorts by directors straight out of film school. I tend to be interested in projects by authors who have something to say, who bring their new, unique voices to the screen, hopefully even trying to be non-conformist in a way, which can be quite a challenge in this very hegemonic, almost industrialised ecosystem of making films nowadays. I think the scene in Slovenia is still quite healthy regarding new talent, with a high output of film academy graduates (and other, self-taught film-makers as well) who are very eager to work and be seen but are, of course, faced with a limited number of opportunities to take their shot.