Page 2 - Machine Dazzle News Today

Helen Shaw reviews “Bark of Millions,” at the Brooklyn Academy of Music; Cole Escola’s “Oh, Mary!,” at the Lucille Lortel; and “Aristotle Thinks Again,” at La Mama.

‘Bark of Millions’ and ‘The Following Evening’: A maximalist performance and a quiet, inward-looking play—both, somehow, about creative legacy and earthly (or human?) mystery.

If Taylor Mac and Matt Ray’s four-hour rock opera were aiming to succeed on aural gorgeousness and visual spectacle alone, there would be no cause to quibble.

Mac and composer Matt Ray team up for a genre-defying event.

The facial features in Cindy Sherman’s hyperenergetic new photo-portraits slide around crazily. Eyes spin out in different directions, competing

The queer extravaganza performs at BAM for just one week.

Ho-hum, another underrated triumph from the best American director of his generation.

I’d follow this man anywhere.

From ballet to Afrofuturism to a world-class immersive spectacle, Guardian Australia critics pick out the best live stage experiences of the year

Tickets go on sale December 14