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The Waste Land at 100: T S Eliot s monument to despair — with a few laughs thrown in

This year marks the 100th anniversary of the publication of “The Waste Land.” The 433-line poem is important, but it’s not very user-friendly.

A broken-down bank clerk and a month in Margate – how TS Eliot wrote The Waste Land

Review: Oakland Theater Project s innovative The Waste Land brings back in-person theater

Review: Oakland Theater Project’s innovative ‘The Waste Land’ brings back in-person theater The adaptation of T. S. Eliot s poem doesn t always live up to the Herculean effort to put on the show Lily Janiak April 12, 2021Updated: April 13, 2021, 9:39 am Lisa Ramirez performs the one-person show “The Waste Land” in a parking lot in Oakland. Photo: Carlos Avila Gonzalez, The Chronicle If you’re a fan of radio drama, whether it’s something you got interested in during the pandemic or well before, you probably cherish the art form’s unique intimacy the way the voices seem to bounce around inside your head, the way you can listen as you are, whether you’re hiding under the covers or doing chores.

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