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January 3, 2023
Join the Beaverton Symphony for The Magic of Music – A Family Concert. Guest conductor Jeffrey Peyton leads the musicians and audience on a musical journey. It’s fun for the entire family! Learn more at beavertonsymphony.org Magic of Music – A Family ConcertFriday January 13, 2023; 7:00 PMSunday January 15, 2023; 3:00 PMVillage Church, 330...
January 2, 2023
The Child Spirits in the Metropolitan Opera's production of "The Magic Flute" gave us the inside scoop!
December 30, 2022
ADRIAN THRILLS: One of the highlights of 2023 will be Elton Johns first appearance at Glastonbury - a Sunday night headline slot on June 25 that will be the final UK date of his farewell tour.
December 27, 2022
YEREVAN, FEBRUARY 4, ARMENPRESS. Opera News describes him as a conductor who can be dreamed of by a singer. Constantine Orbelian, People’s Artist of Russia, conductor, Director and Artistic Director of the A. Spendiaryan Opera and Ballet National Academic Theatre, is again a Grammy nominee.
December 24, 2022
On Saturday at 12 p.m., hear this 2022 production of Mozart's "The Magic Flute."
December 23, 2022
With midday performances raptly attended by young and old, this Covent Garden revival serves up lots of fun and lets Mozart work his magic
December 19, 2022
Julie Taymorโs version of Mozartโs opera, a fairy tale of puppets and plexiglass, achieves its finest form in the Metโs condensed version for families.
December 19, 2022
YEREVAN, FEBRUARY 4, ARMENPRESS. Opera News describes him as a conductor who can be dreamed of by a singer. Constantine Orbelian, People’s Artist of Russia, conductor, Director and Artistic Director of the A. Spendiaryan Opera and Ballet National Academic Theatre, is again a Grammy nominee.
December 19, 2022
There are strong performances, particularly from Gyula Orendt’s Papageno and Sarah Dufresne’s Papagena, but the fun is damped down in David McVicar’s 2003 staging that imposes coherence on the pantomimic plot
December 17, 2022
Anna Prohaska and Gyula Orendt give performances of great subtlety and depth. Opera review by Sebastian Scotney