Page 94 - Magic Flute News Today

Vocal powerhouse Vocal powerhouse Making music is all in the family for opera singer Andrea Wells ’00. Operatic soprano Andrea Chenoweth Wells ’00 has thrilled audiences from Cleveland to Carnegie Hall with her lush, powerhouse vocals. But her family — a musical dynasty to rival the von Trapps — served as her first audience. Andrea Chenoweth Wells ’00 Her father, University of Dayton professor emeritus Richard Chenoweth, remembers driving back from visiting the gra...

Edward Berkeley with students this month at a master class in the Wheeler Opera House. (Carlin Ma/Aspen Music Festival) Edward Berkeley with students this month at a master class in the Wheeler Opera House. (Carlin Ma/Aspen Music Festival) Berkeley with opera students in Aspen in 2016 (Elle Logan/Aspen Music Festival) Berkeley with students at a 2010 master class (Courtesy photo/Aspen Music Festival) Aspen Opera Theater director Edward Berkeley outside the Benedict Music Tent (Courtesy photo/As...

Edward Berkeley with students this month at a master class in the Wheeler Opera House. (Carlin Ma/Aspen Music Festival) Edward Berkeley with students this month at a master class in the Wheeler Opera House. (Carlin Ma/Aspen Music Festival) Berkeley with opera students in Aspen in 2016 (Elle Logan/Aspen Music Festival) Berkeley with students at a 2010 master class (Courtesy photo/Aspen Music Festival) Aspen Opera Theater director Edward Berkeley outside the Benedict Music Tent (Courtesy photo/As...

When it comes to Beethoven, violinist Stefan Jackiw, cellist Alisa Weilerstein and pianist Inon Barnatan make a good team. Thursday evening in the Benedict Music Tent, with the composer’s “Ghost” Trio, they took things up a notch or two from last Sunday’s triple concerto performance. The Piano Trio Op. 70 No. 1 got the nickname “Ghost” because of all the spooky tremolos in the expansive slow movement. Today’s audiences may not find it all that sinister, but the shifting textures a...

  Soprano and Aspen Opera Theater and VocalARTS fellow Yvette Keong at a recent opera scenes master class at the Wheeler Opera House. Baritones Ian Rucker and Joshua Conyers at a recent opera scenes master class at the Wheeler Opera House. William Guanbo Su, bass, at a recent opera scenes master class at the Wheeler Opera House. Aspen Opera Theater and VocalARTS co-directors Patrick Summers and Renée Fleming at a recent master class with students at the Wheeler Opera House. Soprano Yaritza Ve...

Zauberfloete_Ensemble Foto: Jochen Klenk Regensburg.Das Virus hat es schön gemacht. War man früher als Anhänger und glühender Verteidiger des Originalklanges pingelig bis in die Besetzung des Bassetthorns in Mozarts Zauberflöte, ist man heute froh um eine radikal reduzierte Corona-Fassung dieser Oper. Dass man überhaupt wieder live Musik hören kann, dass es eine Bühne dazu gibt, dass die Sänger und Musiker selber so froh sind, wieder auftreten zu können, dass man selbst mi...

.......... .......... .......... .......... .......... .......... .......... .......... .......... .......... .......... .......... .......... .......... .......... .......... .......... .......... Soprano Ying Fang performs the role of Susanna in the Santa Fe Opera’s “The Marriage of Figaro.” (Courtesy of the Santa Fe Opera) “The Marriage of Figaro” could be more accurately called “The Marriage of Susanna.” That’s according to soprano Ying Fang, who plays the Santa Fe Opera rol...

Region Herzogenburg Kulturfest Traisental beginnt am 9. Juli. Der Auftakt erfolgt in St. Pölten und Herzogenburg, dann geht es im Schloss Walpersdorf mit zwei „Stammgästen“ weiter. Von Hans Kopitz. Erstellt am 09. Juli 2021 (04:35) Bassbariton Daniel Gutmann freut sich sch...

Executive Director at American Repertory Theater Posted by The American Repertory Theater (“A.R.T.”) at Harvard University seeks an Executive Director who will provide transformational strategic, organizational, administrative, fundraising, and financial leadership for the organization. The Executive Director will work in partnership with A.R.T.’s Artistic Director to identify and realize a shared vision for the future of one of America’s leading non-profit professional theaters. It is ...

Ein sorgenfreier Start nach Plan sieht anders aus als der von Bogdan Roščić als Direktor der Wiener Staatsoper. Es sollte nicht ein Plan werden, den der neue Hausherr am Ring in seiner ersten Saison umsetzen konnte, es sollten gleich mehrere werden. Planen, umplanen und wieder neu planen lautete nicht nur an der Staatsoper die Devise in Corona-geprüften Zeiten. Die Richtung, in die er die Staatsoper führen wird, hat Roščić jedoch auch mit den wenigen Pflöcken klar markiert, die die Pan...