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University of Exeter Declares New Creative Collaboration with the Eden Project and Artist Iman Datoo

Bringing together art and science to reanimate soil and transform how we connect with its inhabitants, this engaging new collaboration sees London based artist Iman Datoo undertake a three-month residency with the University of Exeter’s Environment a
United Kingdom City Of Catarina Fontoura Thomas Oshea Wheller Iman Datoo University Of Exeter

Nikki Columbus on the work of art in the age of mechanical reproduction

MOTHERHOOD IS TRENDING in the art world—a renaissance, if you will, not seen since . . . well, the Renaissance. Long considered a career liability for young artists and art workers, motherhood has been embraced as a topic by women who are having children at an older age, after achieving some level of professional success—as seen in recent works by Camille Henrot, Tala Madani, and Laurel Nakadate. The motif has multiplied in thematic exhibitions with such imaginative titles as “Mothering”...
Czech Republic New York United States Mexico City Distrito Federal Tala Madani

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Alexandro Segade on the Ororocene - Artforum International

A REDDIT USER POSTS, “My mom told me to unalive myself because I am gay.” The thread responds (and I paraphrase, slightly): “Your egg donor sucks and doesn’t deserve the term ‘mom.’” To unalive yourself is to allow the forces of oppression to remove you from life. Algospeak neologisms are coined to avoid AI censorship; sublimation produces a new sign. The death drive merges with the life instinct to create a new condition: unaliving. Not the opposite of “liveness,” as in the TV...
United States New York San Diego United Kingdom Mely Chen Stefano Castelli

David Joselit on Documenta 15 and the 59th Venice Biennale - Artforum International

THROUGHOUT THE TWENTIETH CENTURY, modern and contemporary art in the West sought either to cheat history or to travesty it. To cheat history is to outrun it in gestures aimed at utopian schemes (as envisioned by Suprematism or the artists of De Stijl) or dystopian destruction (as in Futurism or some variants of Dada). Among modernist avant-gardes, history offered a necessary dialectical framework for its own supersession—this is why the rhetoric of revolution remains so appealing and ubiquitou...
New York United States Democratic Republic Of The Congo San Diego Noord Holland Daniel Baker

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