Page 4 - Mal Waldron News Today

I am a sucker for Malian singers. I have been ever since I made a couple of films there at the end of the 1980s. According to ancient tradition, the jalis, and other singers have a mission: to open the hearts of those who hear them, and to fill them with healing and courage. Thirty years on, Rokia Koné keeps the flame going and touches me in the same way. Her first solo album, the highpoint of the year for me is, a collaboration with US producer Jacknife Lee, who brings to the combination exqui...

Anniversary editions (from Norah Jones and Neil Young), a dive into the hip-hop underground (via C.V.E.) and rediscovered live jazz (from Elvin Jones and Charles Mingus) arrived in 2022.

Plus the best historical releases.

40 people rely on water from the Colorado River, but overuse and global warming have combined to create a water emergency. Tough choices must be made soon, or farms and cities will face critical shortages. We talk with ProPublica investigative reporter Abrahm Lustgarten.millionJazz critic Kevin Whitehead reviews a recording by pianist Mal Waldron.

Nobody sounds like Waldron, a fact proved by a new 2-CD recording the artist made during a 1978 solo concert. Searching in Grenoble is a good introduction to the pianist's compelling sound.

Forty million people rely on the river. ProPublica's Abrahm Lustgarten says that water scarcity in the West hasn't been recognized as the national emergency that it is.

Forty million people rely on the river. ProPublica's Abrahm Lustgarten says that water scarcity in the West hasn't been recognized as the national emergency that it is.

Nobody sounds like Waldron, a fact proved by a new 2-CD recording the artist made during a 1978 solo concert. Searching in Grenoble is a good introduction to the pianist's compelling sound.

Forty million people rely on the river. ProPublica's Abrahm Lustgarten says that water scarcity in the West hasn't been recognized as the national emergency that it is.

Individual success has only served to sharpen their intuition, as the jazz foursome return with a set that ranges across slinky blues and jamming gospel