Management Gallery News Today

Using bleach and dye, artist Katie Hector taps the potential of presence and absence in her work in both literal and metaphorical ways.

The new Esther art fair has taken up residence in the Estonian House in New York. The mood there is buoyant.

Tim Brawner’s Glad Tidings at Management sustains horror past its breaking point. In his exploration of genre through the passages of B-movie horror reels and its more recent evolution into online creepypasta, the artist is able to fixate on the tremulous imagery of jumpscares and translate a clever act of self-negation into painting. What is shed, what is stayed, and what new tension is currently relayed?

Plus, which artist did Larry Gagosian bring to sit courtside at a Knicks game? Who showed up to Alex Arnault's star-studded birthday party?

This week: A.I. chatbots approach the art world, Korea’s changing market, the Met’s sneaky Philip Guston drama, and much more.

Our columnist digs into the art-industry impacts of ChatGPT, the A.I.-powered chatbot sparking crises across multiple walks of life.