Frances Brady is the moniker of a collaborative project by two queer artists, Brooklyn-based Marta Lee and Chicago-based Anika Steppe, who asynchronously created these works by sending snapshots of their individual lives to each other and appropriating received images. The imagery is mounted on plain white walls in no particular order, and afforded a formal flare of sculptural sensibility by virtue of being transferred onto a physical panel or canvas.
In Edgewater Glen, Chicago, Raven Theatre’s production of Sharyn Rothstein’s Right To Be Forgotten is powerful, touching, and opportune. The play, which premiered in Washington, D.C. four years ago, follows Derril Lark, a painfully awkward 20-something literature student, as he brings suit against big tech for internet privacy violations. Ten years ago, Lark stalked a.
Written by Sharyn Rothstein, “Right To Be Forgotten” focuses on privacy laws passed in Europe. The story follows a young man, Derril Bark, who is fighting to clear his name