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Robert Altman’s “The Long Goodbye” (1973) attacks film noir with three of his most cherished tools: Whimsy, spontaneity and narrative perversity. He is always the most youthful of directors, and here he gives us the youngest of Philip Marlowes, the private eye as a Hardy boy. Marlowe hides in the bushes, pokes his nose up against a window, complains like a spoiled child, and runs after a car driven by the sexy heroine, crying out “Mrs. Wade! Mrs. Wade!” As a counterweight, the movie contains two startling acts of violence; both blindside us, and neither is in the original Raymond Chandler novel.

United statesElliott gouldJim boutonLeigh brackettTerry lennoxSterling haydenMarty augustine mark rydellWilliam faulknerRoger wadePhilip marloweEileen nina van pallandtMarlowe elliott gouldUniversity of coloradoConference on world affairsWorld affairsNina van pallandt