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WV Symphony Orchestra headlines Sunday concert | Arts & Entertainment

WV Symphony Orchestra headlines Sunday concert | Arts & Entertainment
wvgazettemail.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from wvgazettemail.com Daily Mail and Mail on Sunday newspapers.

Austin Peay State University engages community, cultivates social responsibility with annual Govs Week of Service - Clarksville Online

Things to Do: Kinetic Ensemble s Her Story at The MATCH

This Women’s History Month, Kinetic Ensemble will present a musical program showcasing works by a lineup of all-female composers, including “Home,” a music and dance piece developed by Kinetic’s current composer-in-residence Nicky Sohn, Kinetic violinist Mary Grace Johnson, and guest choreographer Kayla Collymore.

Mary Grace Johnson | News, Sports, Jobs

Feb 6, 2021 EAST LIVERPOOL Mary Grace (Galloway) Johnson, 73, passed away in the morning hours of Thursday, February 4th, 2021 while in the loving presence of her family. Grace was born in East Liverpool on November 6th, 1947 to Raymond and Mary (Butler) Galloway. She graduated East Liverpool High School in 1966. She married her husband, James Matthew Johnson, on March 13,1968. Grace worked in numerous places including Frank’s Carry Out, ABC Carryout, and American General Life Insurance before deciding to go back to school later in life and earn her nursing degree at Kent State University. She then worked at UPMC Hospital, then as a Home Health Nurse, followed by Trinity Hospital, and finally retiring at the East Liverpool City Hospital. Grace enjoyed riding motorcycles with her husband, and travelled all over the Europe, and 49 states.

Performance from Houston s Kinetic to show that Quiet is the new loud

Performance from Houston’s Kinetic to show that ‘Quiet’ is the new loud By Lawrence Elizabeth Knox, Correspondent © Ben Doyle Kinetic violinists Natalie Lin Douglas and Giancarlo Latta In “Goldberg Variations,” Bach masterfully encapsulates human existence in a way that has resonated with audiences for generations but proves perhaps even more chilling in today’s fractured society. The composer’s monumental work, which was published in 1741, ends as it begins with a return to the opening “Aria.” Upon the second listen however, the melodic theme of graceful elegance feels vastly different, as the music undergoes a series of transformations throughout the set of 30 variations, which are all built upon the original bass line.

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