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The Paris Review - Staff Picks: Comma Splices, Nice Zones, and Ladies Alone

There is an incantatory quality to Nona Fernández’s The Twilight Zone, a feeling of walking, as though under a spell, and then accidentally tripping into the murky unknown. Translated from the Spanish by Natasha Wimmer, the novel traces the reverberations of Pinochet’s dictatorship throughout Chilean life from the eighties to the present day, using pop culture in particular the television series The Twilight Zone, though Ghostbusters, Billy Joel, and the Avengers movies are also invoked as a jumping-off point. This is a brilliant move: when reality features frequent disappearances, torture, and televised interviews with the military members who committed these atrocities, it becomes its own kind of dark fiction. “I wonder how we’ll tell ourselves the story of our times,” the narrator thinks at one point. “Who we’ll leave out of the Nice Zones in the story. Who we’ll entrust with control and curatorship.”

The Paris Review - Staff Picks: Bars, Balzac, and Buses

The Paris Review - Staff Picks: Bars, Balzac, and Buses
theparisreview.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theparisreview.org Daily Mail and Mail on Sunday newspapers.

The Paris Review - Staff Picks: Language, Liberation, and LaserJet

The Paris Review - Staff Picks: Language, Liberation, and LaserJet
theparisreview.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theparisreview.org Daily Mail and Mail on Sunday newspapers.

The Paris Review - Staff Picks: Maps, Marvels, and Madmen

The Paris Review - Staff Picks: Maps, Marvels, and Madmen
theparisreview.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theparisreview.org Daily Mail and Mail on Sunday newspapers.

The Paris Review - Staff Picks: Raisins, Rhythm, and Reality

Allan Gurganus. Photo: © Roger Haile. Courtesy of W. W. Norton. In his Art of Fiction interview, Allan Gurganus preaches the power of the sentence. But for me, the real satisfaction to be had from the newly released Uncollected Stories of Allan Gurganus comes from the layers: a shrewd grad student’s thrifting trip becomes the story of a portrait, which is actually the story of a tragic moment in a small town’s history; a local news report becomes a firsthand account of the incident told by a police officer to his tape recorder. (In fact, local news reporters are more than once a way of getting into a story; they act as a kind of chorus for small-town America.) Gurganus’s

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