Diana Ross & the Supremes put together a staggering run of hits in the '60s. The group and their label (Motown) changed with the times as the decade progressed, with deeper songs and more sophisticated sounds the end result. "Reflections," the band's 1967 smash, found Ross and company hitting a particularly heady high. What is the song about? How did it show off Motown's dedication to keeping up with the competition in the pop music world? And why was it one of the last hurrahs for their most famous team of writers and producers? Let's reflect on everything that went into "Reflections."
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Deadlights are no different on ‘
Born Of A Lie.’ This is a song about humanity and creation, fake news and information bias, what’s digital vs. what’s real, and just feeling plain hopeless. Y’know, all of that cheery existential dread, generational loathing, and philosophical questioning that metal loves! Well-directed by Third Eye Visuals, who even 3D printed a fucking robot for it, complete with its own brain prop, the clip mixes a variety of technological, religious and apocalyptic animations next to the band playing within a church for maximum on-the-nose metaphors.
In the past, the band have tackled interesting concepts, but this one has been done to death by dozens of others before, and