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Bandcamp / Buy When Belgian musicians Dan Lacksman and Marc Moulin first joined forces as Telex in the late 1970s, the goal, Lacksman said last year, “was to do something not serious,” like taking a well-known French song and make it as slow as possible. It was Moulin who suggested couching their hijinks in synth pop’s minimalism. Lacksman already had ample experience making slight and silly music with modular synthesizers. Recording with his EMS VCS 3 as the Electronic System, he scored a European hit with “Coconut,” a jaunty, bleep-heavy novelty in the mode of Gershon Kingsley’s “Popcorn.” With the royalties from that single, Lacksman bought a Moog module—Moulin already had his own MiniMoog—that became the central instrument on a series of albums that further blurred the lines between bubblegum pop and disco.

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