nathan saoudi: Live & Latest News Updates : Vimarsana.com

New Songs: Hope Conspiracy, Niontay, Sydney Sprague, more

Fat White Family share new single, "Work"

Fat White Family have shared the new single, "Work", as the latest taster of their forthcoming opus, Forgiveness Is Yours.

The Quietus | Features | A Quietus Interview | Dignity & Labour: Fat White Family Interviewed

A new rock music and pop culture website. Editorial independent music website offering news, reviews, features, interviews, videos and pictures

Pip Blom dazzle with 'Bobbie' at Brighton concert – Brighton and Hove News

Children Of The State discuss relocating to Manchester | Under the Radar Magazine

Manchester based five-piece Children Of The State discuss relocating during the COVID-19 pandemic and how they've adapted as a band.

Pregoblin joined on stage by Pete Doherty in Brixton to launch new single

Pregoblin were joined on stage by Pete Doherty at a recent London gig, following the launch of their new single ‘Big Hitters’.

Ten Thousand Apologies: Fat White Family and the Miracle of Failure review – band on the brink

Chaos reigns through much of this bleak, funny and compelling biography of the cult indie band and their quest for success, stability – and affordable housing

Fat White Family: 'I can drop acid at 11am and cook a family dinner by 4pm' | Fat White Family

“I find bands filming with polished setups in a venue really boring,” Trask says. “We didn’t have a plan, just a few days cooking for each other and fucking around, but it ended up a film of the band’s writing sessions.” Influenced by the lo-fi approach of La Blogothèque’s A Takeaway Show, the film is a point-and-shoot gem. Trask also roped in This Country’s Charlie Cooper to appear in the trailer, as he’s a fan of Fat White Family, “to make the whole thing more grandiose than it is”. This isn’t the first lockdown film Saoudi has made. Last year, he and Pregoblin’s Alex Selby began a shot-by-shot remake of The Shawshank Redemption. “I really believed I was going to finish it,” Saoudi says. “[But] it started taking five hours for every scene and it wasn’t funny any more.”