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L Étreinte avec Emmanuelle Béart : Un moment de reconstruction, une métamorphose

L Étreinte avec Emmanuelle Béart : Un moment de reconstruction, une métamorphose
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If You Don t, I Will movie review (2014)

Now streaming on: What happens to a marriage once the early ardor cools? That s the central question in this likable drama starring Mathieu Amalric and Emmanuelle Devos as a husband and wife at a crossroads, and it is explored by writer-director Sophie Fillières (in her fifth feature) in a refreshingly low-key way.  The specific themes at the heart of the story of Pomme and Pierre will be familiar to viewers who ve seen domestic psychodramas: the couple are in their forties, still sharing a small Parisian apartment, and taking each other for granted and misunderstanding each other when they aren t practicing the fine art of staying out of each other s way. The epic two-character drama The Disappearance of Eleanor Rigby (which was released in three or is that two? features) situated its married leads at a comparable crossroads, and many other films have depicted similar situations, including the work of John Cassavetes, whose domestic psychodramas are slyly acknowledged at vari

Review: Margaux Hartmann

Emmanuelle Béart in Margaux Hartmann My husband died. From an illness. Six months ago” – “You haven’t met anyone since? Don’t you want to?” – “Yes. Well, actually, I don’t know. Maybe I’m a bit too old to meet people” – “Not at all. You’re amazing, and we can’t stop ourselves from loving, it’s inhuman. In a modern world where solitude is a painful condition encountered by many, encouraging words doubtless warm the heart, but some things are easier said than done and starting over in love whilst becoming reborn in body and mind is hardly a walk in the park. Such is the subject of

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