Page 13 - Nice That News Today

The London-based illustrator offers an insight into what it takes to master the medium of cover art, from textual interpretation to (somewhat unintentionally) avoiding trends.

Well, how do you follow that? we follow it with click. ok, whats this one? oh, thats nice — thats 70% dark, isnt it? good — you know your stuff! mm—hm. and this one? oh, thats very bitter. id go 90%, yeah? yep — youre doing well. now for the big one. there you go. oh, gosh. 0h! oh, thats 100% chocolate, isnt it? oh, that is awful! you did volunteer to be the one

Luck. ok, whats this one? oh, thats nice — thats 70% dark, isnt it? good — you know your stuff! hmm—mm. and this one? oh, thats very bitter. id go 90%, yeah? yep — youre doing well. now for the big one. there you go. oh, gosh. 0h! 0h, that5100% chocolate, isnt it? oh, that is awful! you did volunteer to be the one to eat the chocolate. it tastes like tarmac. cocoa is, of course, the main ingredient of chocolate and it does have its impact on the environment, as well as the communities th...

The digital garden aims to grow “sustainably” rather than rapidly, challenging “the colonialism and imperialism” often involved in gardening. Creative Ecosystems founder Annika Hansteen-Izora tells us more.

The Shanghai-based designer is passionate about creating exhibition visuals because of the “natural and collective” work ethic that the medium provokes.

After many years of switching between contemporary art and illustration, the Altford-based illustrator has settled into the creatively boundless realm of digital drawing.

For the launch of six new hotels across the US and London, the creative agency collaborated with photographer Amber Pinkerton on a dreamy window exhibition.

EXCLUSIVE: This year marks 25 years since Snake was first launched on a Nokia mobile phone. MailOnline asks video game experts exactly what makes the simple concept so timeless.

Han Gao’s design for Démi Bai uses cold metallics, tiny type and a systematic grid, to embrace the product’s natural transformation through use.

In conversation with founding editor Dalia Al-Dujaili, we discover the driving forces behind the magazine and why the second edition adopted a more “editorial” design look.