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2021-02-04T12:00:00+00:00
Autumn 2020 was scheduled to be a big one for violinist and conductor Nikolaj Szeps-Znaider, with the start of his first music directorship in France and his conducting debut at the Royal Danish Opera. Here he tells Andrew Mellow about the experience of conducting in the face of social distancing restrictions
Nikolaj Szeps-Znaider in his new role as music director of the Lyon National Orchestra
Photo: Muriel Chaulet
The following is an extract from an article in The Strad’s February issue in which Nikolaj Szeps-Znaider talks about his parallel careers as a violinist and conductor.
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2 pm ET: NDR Elbphilharmonie Orchester presents
Gilbert conducts Prokofiev. Daniil Trifonov joins Hamburg’s NDR Elbphilharmonie Orchestra for Prokofiev’s First Piano Concerto under the leadership of Chief Conductor Alan Gilbert who also leads the orchestra in an account of the composer’s
Classical Symphony. View here.
2 pm ET: The Royal Opera House presents
Puccini’s
Il Trittico.
Il Tabarro, set aboard a barge on the Seine, stars Lucio Gallo as Michele, Eva-Maria Westbroek as Giorgetta, and Aleksandrs Antonenko as Luigi.
Suor Angelica has Ermonela Jaho in the title role of the nun whose familial sacrifice is at the heart of the opera.
For the Modigliani Quartet, working with other artists has always been a priority – one that continues this year as the group turns its attention to Schubert. Charlotte Gardner speaks to the French foursome about their early development, working through Covid times and acting as artistic directors
A talented luthier and a shrewd businessman, Charles François Gand had a seismic effect on the Paris violin world despite his relatively small output. Florent Boyer presents an in-depth examination of several Gand instruments to show the development of his style
Autumn 2020 was scheduled to be a big one for violinist and conductor Nikolaj Szeps-Znaider, with the start of his first music directorship in France and his conducting debut at the Royal Danish Opera. Did it go to plan? Very nearly, he tells Andrew Mellor
My Space looks behind the scenes in the workshop of Angers-based luthier
Marcus Klimke; and in
Making Matters Ulf Kloo explains how to adjust the back thickness on an instrument that’s already been set up.
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View more photos from the Royal Danish Opera’s production of The Magic Flute, conducted by Nikolaj Szeps-Znaider
More from the workshop of Angers-based luthier Marcus Klimke in My Space
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