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THE NIGHT Review: Trippy Terror at the Hotel By Chad Collins
Written by Kourosh Ahari and Milad Jarmooz
Directed by Kourosh Ahari
“They hear the truth, morning comes” a malevolent drifter whispers to Neda Naderi (Noousha Noor) midway through
The Night, Kourosh Ahari’s auspicious Iranian-American genre debut. Neda and her husband Babek (Shahab Hosseini) are en route to their home when an auto accident, Babek’s insobriety, and the imbroglio of downtown Los Angeles compel them to pull the car over and rent a room for the night. Things quickly spiral as the Naderis, including their infant daughter, are plagued by specters in the dark, an ever-changing urban landscape, and a morning that defiantly, hauntingly refuses to come. Punctuated by paranoid shades of Kubrick’s
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If you’re going to set your movie in a haunted hotel, you may as well set it in a hotel that’s actually haunted. Do a quick Google search and you’ll find that Los Angeles’ Hotel Normandie, a local landmark built in 1926, has plenty of spirits in its past. The eeriness of its history, combined with the persistent and invasive buzz of its huge neon sign, makes it the perfect setting for
The Night,
a Farsi-language horror thriller that’s foremost about the unwelcome memories that arise when sleep is as elusive as the sunrise.
Kourosh Ahari’s debut feature, the first U.S. production approved for theatrical release in Iran since 1979, stars Shahab Hosseini (
Screenshot: IFC Midnight
The Hotel Normandie’s buzzing neon sign isn’t the only thing keeping Babak (Shahab Hosseini) and Neda (Niousha Jafarian) awake in
The Night, Kourosh Ahari’s nerve-shredding new psychological horror thriller. After a night out with friends, the fraying couple find themselves beset by mysterious voices, frantic knocks, and strange visions after settling into the eerily vacant hotel. And, in this
A.V. Club exclusive clip, a visit from a police officer offers them neither comfort nor answers. Here’s a synopsis:
The Night is a psychological thriller that follows an Iranian couple, Babak and Neda, and their one-year-old daughter, Shabnam. Returning home from a friend’s gathering, Babak drives drunkenly, too stubborn to let Neda drive with a suspended license. When Babak’s driving threatens the safety of the family, Neda insists they stay the night at a hotel. Once they check-in, Babak and Neda find themselves imprisoned, forced to face the secr
The sound of the oud contributes a wealth of colour, magic, and emotion to the music of video games, drawing on centuries of Middle Eastern tradition and splendour to tell authentic stories in novel ways.
The oud is one of the most beautiful, ancient, and ubiquitous instruments in the Middle East and North Africa. An ancestor of the Medieval Lute, its reach extends across multiple cultures in Asia and Eastern Europe. With double coursed strings and a fretless neck, the oud sings with a deep warmth and a shimmering resonance all at once, like a combination between a string instrument and a human voice. It sings of joy, mourns with sorrow, dances in ecstasy, and sits still in contemplation. It is a sound that carries with it the history of the Middle East and the songbooks of countless generations.
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