Good. What do we document to. The suns of liberty speak tonight. Hey, hey. The town is getting real. Well, we got. The suns. The big welcome to the 249th anniversary. Boston tea party reenactments. Tonight, we relive meeting of the body of the people whose vigorous debates led to the destruction of the tea or what became known as the Boston Tea Party revolutionary spaces. Welcome to you into the room where the meeting occurred right here at Old South Meeting House. My name is j. L. Bell. I write about revolutionary boston, and tonight im to be one of the revolutionary spaces helping to bring you event. Now, i would like introduce the president and ceo revolutionary spaces, ladies and, gentlemen, dr. Nathaniel sheidley, you. Thank you, john. Good evening, everybody, and welcome to old south meeting for the 249th anniversary of the boston party. So here at revolution spaces, our mission is to bring people together in order to explore our nations unfinished struggle, to create and sustain
Good. What do we document to. The suns of liberty speak tonight. Hey, hey. The town is getting real. Well, we got. The suns. The big welcome to the 249th anniversary. Boston tea party reenactments. Tonight, we relive meeting of the body of the people whose vigorous debates led to the destruction of the tea or what became known as the Boston Tea Party revolutionary spaces. Welcome to you into the room where the meeting occurred right here at Old South Meeting House. My name is j. L. Bell. I write about revolutionary boston, and tonight im to be one of the revolutionary spaces helping to bring you event. Now, i would like introduce the president and ceo revolutionary spaces, ladies and, gentlemen, dr. Nathaniel sheidley, you. Thank you, john. Good evening, everybody, and welcome to old south meeting for the 249th anniversary of the boston party. So here at revolution spaces, our mission is to bring people together in order to explore our nations unfinished struggle, to create and sustain
Good evening. Welcome to boston public librarys commonwealth salon for the presentation remembering Phillis Wheatley by barbara lewis. My names Danielle George. I have the pleasure of introducing barbara lewis. Dr. Lewis heads the William Monroe Trotter Institute for the study of african history and culture at the university of massachusetts boston. Where shes also an associate professor of english. Shes a francophone style as well as a cultural historian who has published on lynching and film, photography and drama, the minstrel stage and the black arts movement. Dr. Lewis also sought at city college, New York University and the New York University of kentucky. She currently blogs for the public humanist affiliated with the Massachusetts Foundation for the humanities and sits on the Advisory Boards of Central Square theater and the new federal theater in new york. So before dr. Lewis takes the stage, im going to ask you if you wouldnt mind turning off your cell phones. Cspan is record
The arrival of the tea escalated an already existing debate over the new tea tax. And the sons of liberty led an effort to protest the kings new measure. After the debate, colonists marched to griffins wharf and dumped the tea in the boston harbor. Last year on the anniversary of this debate, reenactors and observers recreated the scene. This 45 minute event was hosted by Old South Meeting House and the Boston Tea Party museum. And now, ladies and gentlemen, the 242nd anniversary celebration of the Boston Tea Party. Good evening. My name is george shoes. Perhaps you have heard of me. I have been a shoemaker most of my life, a tradesman of the humble class, but now as an old man, i parade around in my colonial clothing as the last remaining participant in the Boston Tea Party. How strange it is to think what i have seen here in boston, how i witnessed a nation born of protest. I was no student of history or politics myself. My entire education consisted of only a modest understanding of
Forth between the terms. One of the things we see from peterson is that Country Music is music of modernity. It responds to it, grapples with it. I want to frame our discussion around couple of quotations. The first is from a anthropologist aaron fox. They write, Country Music is widely disparaged in racialized terms and assertions of its badness are quickly flamed in specifically racial terms. For cosmopolitan americans especially, country is bad music because it is widely understood to signify an explicit claim to whiteness, not as an unmarked, neutral condition lacking or trying to shed race, but as a foregrounded claim of cultural identity of bad whiteness unredeemed by ethnicity, folkloric authenticity, progressive politics, or elite musical culture. I want us to think about that. Country music as articulating and conveying this type of marked white particularity. The second quote is from roxanne dunbarortiz, a writer and historian, in the book red dirt, a memoir of growing up in