college and that inspired me so much that i decided to become a film maker one day. so, i don t think i will ever be out of the influence of hitchcock, and decision to leave is one particularfilm that shows much influence from him. as i mentioned, a clip from park chan wook s celebrated 2003 film oldboy was on display at the hallyu! the korean wave exhibition. it s of a violent fight in a corridor, seen as an impressively choreographed sequence in a movie which tells of a man kidnapped for 15 years who, upon release, attempts to track down his captor. the picture brought south korean cinema a lot of very positive international acclaim. i do agree with you that it was oldboy that put korean cinema on the map but, you know, there are other korean films before oldboy, of course, that were well received outside of korea. but oldboy was the film that made this whole brand that s called korean extreme films.
you are getting heard, but as yet they are rarely getting are rewarded. you might wonder what is going on behind this curtain at the exhibition. they are showing a very violent clip from the classic korean movie, oldboy, and they want to alert visitors to that fact. that film was directed by park chan wook, who is one of south korea s most illustrious film makers. recently he had new film that came out, it s south korea s submission to the oscars next year. it s called decision to leave, and i went to meet him to talk about the film. decision to leave tells a story of a detective investigating the suspicious death of a man at the foot of a cliff. his widow seems unmoved. has she played a role in his demise? the detective finds he s attracted to her.
so, i don t think i will ever be out of the influence of hitchcock, and decision to leave is one particularfilm that shows much influence from him. as i mentioned, a clip from park chan wook s celebrated 2003 film oldboy was on display at the hallyu! the korean wave exhibition. it s of a violent fight in a corridor, seen as an impressively choreographed sequence in a movie which tells of a man kidnapped for 15 years who, upon release, attempts to track down his captor. the picture brought south korean cinema a lot of very positive international acclaim. i do agree with you that it was oldboy that put korean cinema on the map but, you know, there are other korean films before oldboy, of course, that were well received outside of korea. but oldboy was the film that made this whole brand that s called korean extreme films. decision to leave doesn t exhibit much of park
are rarely getting rewarded. you might wonder what is going on behind this curtain of the exhibition. they are showing a very violent clip from a classic korean movie, oldboy. the film was directed by park chan wook one of south korea s most illustrious directors. recently he had a field come out decision to leave,, and i went to meet him to talk about the film. decision to leave tells a story about a detective investigating a suspicious death of a man at the foot of a cliff. his widow seems unmoved as she plays a role in his demise. the detective finds he is attracted to her. the director hopes the ethical
about afterwards. director park chan wook studied philosophy, he was a film critic, he knows cinema history, and he s long been impressed by british director alfred hitchcock. it is said that hitchcock s psychological thriller vertigo influenced decision to leave. translation: i watched vertigo when i was in college and that i inspired me so much that i decided to become a filmmaker one day. so i don t think i will ever be out of the influence of hitchcock, and decision to leave is one particularfilm that shows much influence from him. as i mentioned, a clip from park chan wook s celebrated 2003 film, oldboy, was on display at the hallyu the korean wave exhibition. it s of a violent fight in a corridor, seen as an impressively choreographed sequence in a movie which tells of a man kidnapped for 15 years who, upon release, attempts to track down his capture.