It’s the night before the election. There was a short, heavy downpour about five o’clock and now on the dark and damp pavement a foursome of paused theatregoers are loudly braying for Tony Abbott’s blood. The fashionable Melbourne theatre, fortyfivedownstairs, is downstairs. On the first level below ground there is a gallery and a table
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<strong>Melbourne Theatre Company, Sumner theatre<br></strong>The cast are uniformly excellent as raucous, vulnerable teens in Matthew Whittet’s play, which grapples with the mystifying allure and trap of memory
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A number of the Sydney Theatre Company's luvvies took a recent curtain call draped in kaffiyehs, presumably to support Hamas and spray contempt at the Zionist Entity. A subscribers' backlash led to instructions they must never do so again, which marks a definite change from 2008. That was when Daniel Keene's The Serpent's Teeth also stumbled onto Middle East turf and the only complaints concerned a memorably stupid production