Page 3 - Patrick Gibbs News Today

The Christian movie market has been thriving at the box office, which is impressive when you consider that it arguably has yet to produce a single good movie.

It’s an insightful piece of filmmaking that is unlikely to find the wide audience deserved, though it’s going to leave a mark on nearly everyone who sees it.

Bob Marley: One Love is an entertaining, if disjointed, snapshot into the life and achievements of a complex and important figure in music, spiritualism, and politics.

Michael Jayston, who has died aged 88, was one of Britain’s best stiff-upper-lipped actors, usually cast as steely characters in somewhat dour roles; with his well-groomed hair, sparkling green eyes, soft and seductive, accent-less voice and youthful features, he was a long-time heart-throb, beginning with the hit 1960s ITV series, The Power Game, in which he portrayed the ambitious Lincoln Dowling, boyfriend of the boss’s wife.

If you’re ready to laugh and have a great time with an unapologetically indulgent thrill ride, Argylle is just the ticket for a weekend diversion.

Presence is less a movie than it is a gimmick, and while I'm all for Soderbergh making smaller films, this is the latest frustrating example of his tendency to go for volume above all else.

Ponyboi is a bold and transcendent performance that is screaming out to be seen, and if Hollywood is willing to look at Gallo it could be a game changer.

In the case of Suncoast, it feels a bit too much like writer/director Laura Chinn was meeting with her therapist and was told “just write a screenplay about your teenage experiences and see if you can work in a part for Woody Harrelson.”

Ejiofor capably tells a tragic tale that is worthy of the Bard h in Rob Peace—if he can hone is instincts a bit, he has the potential to be great storyteller.

In My Old Ass, Elliot meets her older self during a mushroom trip the summer before she leaves for college.