Performative Progressivism News Today

Suzan-Lori Parks wrote one play a day for 13 months during the pandemic. Those stories come to life onstage in the form of monologues, dialogues and songs at Joe’s Pub.

Yannick Nézet-Séguin, the company’s music director, and Peter Gelb, its leader, discuss presenting 17 new and recent works over the next five seasons.

As artistic director, Johnson, a pathbreaking ballerina, helped get the company back on its feet after a hiatus. Now, she’s ready to be an artist again.

The festival will include hip-hop, Korean arts, Mostly Mozart and a flock of 200 flamingo lawn ornaments.

A revival of the 1960 musical with the famously great score and infamously bad book gets a gorgeous makeover that makes no difference.

Ananiashvili’s company, the State Ballet of Georgia, presents a program of works by George Balanchine and Yuri Possokhov at the Lehman Center in the Bronx.

In Gregory Maqoma’s “Cion,” performed by the Vuyani Dance Theater at the Joyce, the performers offer images of collective lamentation, prayer and hope.

Gutierrez, whose work often calls attention to the precariousness of life in the performing arts, is experiencing a period of midcareer abundance.

The one-woman show, coming to Broadway, is the “Killing Eve” star’s first stage role. She dared herself to do it.

“Tu nombre verdadero” (“Your Real Name”), which debuts Friday in New York, is a spiritual multimedia performance from the 45-year-old novelist and musician.