Page 2 - Peter Galassi News Today

The Americans comprises eighty-three photographs, plucked out from over a thousand shots taken by one Swiss-born artist. Robert Frank’s pictures of America were once branded “anti-photography” for their technical freedom and emotional valence; with his 35mm Leica in hand, he cut beneath the veneer of the 1950s American Dream to reveal the heart of a nation as something pulsating, vulnerable, and exposed.

world and share the world with other people and remember he did live the golden years of photo journalism after the war where no one had been able to travel. he traveled the world for us. >> he had a marvelous sense, intuitive, sense, because if you had to sit and think about it, it was already gone. the marvelous sense of how the picture was going to transform what he was looking at. >> i think it was very important to henri cartier-bresson who was a great reader, and on top of what m...

he had an insatiable curiosity. he wanted to discover the world and share the world with other people and remember he did live the golden years of photo journalism after the war where no one had been able to travel. he traveled the world for us. >> he had a marvelous sense, intuitive, sense, because if you had to sit and think about it, it was already gone. the marvelous sense of how the picture was going to transform what he was looking at. >> i think it was very important to henri ca...

he also liked people. he had an insatiable curiosity. he wanted to discover the world and share the world with other people and remember he did live the golden years of photo journalism after the war where no one had been able to travel. he traveled the world for us. >> he had a marvelous sense, intuitive, sense, because if you had to sit and think about it, it was already gone. the marvelous sense of how the picture was going to transform what he was looking at. >> i think it was very...

he also liked people. he had an insatiable curiosity. he wanted to discover the world and share the world with other people and remember he did live the golden years of photo journalism after the war where no one had been able to travel. he traveled the world for us. >> he had a marvelous sense, intuitive, sense, because if you had to sit and think about it, it was already gone. the marvelous sense of how the picture was going to transform what he was looking at. >> i think it was very...

if they were going for heavy blood loss, gene, should have shot you in the gut. sam: hey. mr litton, i think youd better swallow it down. we had a result. one-nil. all chant: one-nil, one-nil, one-nil, one-nil... whoa. right, the chosen vintage of the cid. what are you thinking? dare she ask? ive been thinking... about whats important. hunt: oi, romeo. we gonna open this bogwater or what? you open it. no, i cant. it needs two. hey up, here we go. go on then. >> rose: well could come t...

he had an insatiable curiosity. he wanted to discover the world and share the world with other people and remember he did live the golden years of photo journalism after the war where no one had been able to travel. he traveled the world for us. >> he had a marvelous sense, intuitive, sense, because if you had to sit and think about it, it was already gone. the marvelous sense of how the picture was going to transform what he was looking at. >> i think it was very important to henri ca...