Ballet Beyond
Madison Ballet, 7 pm, 3/31-4/1 & 4/7-8 ($50-$19); family matinee 1 pm, 4/1-2 & 8-9 ($18), Madison Youth Arts Center.
Source: isthmus.com
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Ballet Beyond
Madison Ballet, 7 pm, 3/31-4/1 & 4/7-8 ($50-$19); family matinee 1 pm, 4/1-2 & 8-9 ($18), Madison Youth Arts Center.
Alvin Ailey American Dance Theater New York United States United Kingdom Peter Gregson Ludwig Minkus
Source: isthmus.com
Ballet Beyond
Madison Ballet, 7 pm, 3/31-4/1 & 4/7-8 ($50-$19); family matinee 1 pm, 4/1-2 & 8-9 ($18), Madison Youth Arts Center.
Alvin Ailey American Dance Theater New York United States United Kingdom Karen Brown Larimore Becky Mckenzie
Source: isthmus.com
What to do in Madison this weekend: Michelle Zauner, Little Earthquakes and more Isthmus Picks
Picks for April 6-9 includes tour stops by Anna Webbers Shimmer Wince, Raphaël Feuillâtre and Regard; the final performances of Escape From Happiness and Ballet Beyond.
Source: isthmus.com
Ballet Beyond
Madison Ballet, 7 pm, 3/31-4/1 & 4/7-8 ($50-$19); family matinee 1 pm, 4/1-2 & 8-9 ($18), Madison Youth Arts Center.
Source: isthmus.com
Ballet Beyond
Madison Ballet, 7 pm, 3/31-4/1 & 4/7-8 ($50-$19); family matinee 1 pm, 4/1-2 & 8-9 ($18), Madison Youth Arts Center.
Alvin Ailey American Dance Theater New York United States United Kingdom Karen Brown Larimore Fernanda Yamaguchi
Source: isthmus.com
Ballet Beyond
Madison Ballet, 7 pm, 3/31-4/1 & 4/7-8 ($50-$19); family matinee 1 pm, 4/1-2 & 8-9 ($18), Madison Youth Arts Center.
Source: isthmus.com
Ballet Beyond
Madison Ballet, 7 pm, 3/31-4/1 & 4/7-8 ($50-$19); family matinee 1 pm, 4/1-2 & 8-9 ($18), Madison Youth Arts Center.
United States New York United Kingdom Alvin Ailey American Dance Theater Ludwig Minkus Becky Mckenzie
Source: isthmus.com
The story of Cass: a yacht that was 20 years in the making
Cass is a Holman & Pye design from the early 1970s, whose build was a remarkable labour of love stretching over 20 years. Nigel Sharp reports
Source: yachtingworld.com
First Person: Royal Academy of Music Principal Jonathan Freeman-Atwood on why a conservatoire should make recordings
25 years and 50 recordings on, an experienced producer on students and the studio. Classical Music First Person by Jonathan Freeman-Attwood
Source: theartsdesk.com