Stanford Light Opera Company’s performance of “Sweeney Todd” left the audience stunned, not only due to the violent nature of the story but also the excellent singing and acting from the cast, writes Kristofer Nino.
TAPS’ production of “Snow in Midsummer” adapts the 13th-century Chinese play into a modern take on how to balance family obligation and personal fulfillment, writes Alexa Figueroa.
TheatreWorks Silicon Valley announces that it has partnered with Stanford University again to present New Works Next Generation, a play festival offering three dynamic new plays about race and identity, non-binary sexualities, and ethnic oppression in times of crisis.