Page 2 - Plaster Casts News Today

Jasper Johns’s work does have a certain fidgety elegance. But his effects are so drearily localized that the refinements close down a picture instead of pulling us into a world that has an integrity all its own.

Most people dont know beatrix potter as an author and an illustrator creating stories like this one, the tale of peter rabbit, however this exhibition shows she was so much more than that, from a scientist to an award—winning sheep farmer. she loves the hardwick sheep, which are a traditional lake district breed, and she ensured that this traditional breed would be protected. so, by buying up working farms, she made sure they stayed as traditional working farms and that they werent taken over ...

Taken over by developers for holiday homes or anything. before that, miss potter lived in south kensington. she loved collecting shells, rocks and fossils, studying them under the microscope. and, as a budding illustrator, she visited this museum. its appropriate that its at the v&a, because her archive is stored here at the v&a. but also, because she lived near the museum, and she visited as a child and as an adult, she created drawings, plaster casts from our collections, and some of our objec...

Its appropriate that it is at the v&a because her archive. its appropriate that its at the v&a, because her archive. but also, because she lived near the museum, and she visited plaster casts from our collections, and some of our objects, as you will see in this exhibition, actually appear in her stories. including this waistcoat she sketched as a child here. it later appeared in her story the tailor of gloucester. the exhibition is the largest in the world, including personal letters and family...

The people in those shrines to continue worshipping the gods they were worshipping before. what i would like to draw your attention to is a series of plaster casts of these reliefs at persepolis. and what weve done here is project onto them the original colours. and this is how these reliefs wouldve looked in antiquity. all the reliefs that one knows from this period were originally coloured. so what weve done is project colour lights onto that relief to show the public exactly how these reliefs...

In other words, allowing the people in those shrines to continue worshipping the gods they were worshipping before. what i would like to draw your attention to is a series of plaster casts of these reliefs at persepolis. and what weve done here is project onto them the original colours. and this is how these reliefs wouldve looked in antiquity. all the reliefs that one knows from this period were originally coloured. so what weve done is project colour lights onto that relief to show the public ...

Is a series of plaster casts of glazed brick panels from susa that are in the louvre. and these were commissioned by the victoria and albert museum in the 19th century when it was collecting casts for its very famous cast forum, and so on. and theyve never actually been on display before. the third section for which i was responsible is dealing with the parthian and sasanian empires. and what i draw your attention to there is some of the magnificently—decorated silver dishes. many of them show...

He describes how he sent statues of gods back to shrines from which they had been removed and seized by the babylonian kings. in other words, allowing the people in those shrines to continue worshiping the gods they were worshiping before. what i would like to draw your attention to is a series of plaster casts of these reliefs at persepolis. and what weve done here is project onto them the original colours. and this is how these reliefs wouldve looked in antiquity. all the reliefs that one know...

These reliefs wouldve appeared in antiquity. just next to me here is a series of plaster casts of glazed brick panels from susa that are in the louvre. and these were commissioned by the victoria and albert museum in the 19th century when it was collecting casts for its very famous cast forum, and so on. and theyve never actually been on display before. the third section for which i was responsible is dealing with the parthian and sasanian empires. and what i draw your attention to there is some...

In other words, allowing the people in those shrines to continue worshiping the gods they were worshiping before. what i would like to draw your attention to is a series of plaster casts of these reliefs at persepolis. and what weve done here is project onto them the original colours. and this is how these reliefs wouldve looked in antiquity. all the reliefs that one knows from this period were originally coloured. so what weve done is project colour lights onto that relief to show the public ex...