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We have discussed in detail how much of Buddhist eschatology in China was simply a gloss on indigenous themes and ideas. With all that being said,

By the time that Zhu Yuanzhang rode to the imperial throne on the back of Maitreyan prophecy in the fourteenth century, the Chinese apocalyptic narrative

Before we can adequately discuss the nature of this popular sectarianism and its own tripartite scheme of history, we have to acknowledge how far Chinese

The Romance of the Three Kingdoms establishes a clear dividing line between its heroic protagonists and their opponents. Liu Bei, Zhuge Liang, and the