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Pro Tools: Bus & Group Compression

Pro Tools: Bus & Group Compression Avid Pro Tools Tips & Techniques Screen 1: The green fader works like a group fader on a traditional analogue mixer, controlling the levels of all the channels that are being fed through it. The light blue fader on the right is a VCA fader: it doesn’t actually pass audio, it simply tells the faders within the group what level they should be. For simple setups they work identically, but as things get more complex the comparison falls apart. We explore B...
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Ólafur Arnalds on making characterful sound, fusing piano and synths and collaborating with Bonobo

Some Kind of Peace. We wish. Clearly fate took an ironic opportunity to intervene shortly before we had a chance to talk to him about both the new album and his approach to creativity more broadly: an earthquake shook Iceland right before this interview took place, prompting Ólafur’s opening exclamation of, “There’s a lot of energy in my body right now!” That’s true, of course, for all sorts of reasons. Having reimagined the piano with his remarkable, semi-generative...
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Synchro Arts VocAlign Ultra

Synchro Arts VocAlign Ultra After a major overhaul, is Synchro Arts’ VocAlign still an essential part of the vocal producer’s toolkit? The raison d’être of Synchro Arts’ VocAlign is simple: to match timing between vocal recordings. Originally, it was an offline Pro Tools plug‑in targeted at post‑production tasks such as ADR (automated dialogue replacement). Over the years, it’s been made available in other formats, and is widely used for sung vocals as well as instrumental sourc...
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Artist Profile: Composer Adam Peters Provides a Chilling Score for The Dissident - Below the Line

The Dissident Jamal Khashoggi Chances are that if you’re into British music from the ‘80s or ‘90s, you would have heard some of Composer Adam Peters’ work, most notably on Echo and the Bunnymen’s classic album Ocean Rain, on which Peters played and did the string arrangements. That was quite some time ago, and a different chapter in Peters’ life, as he’s spent the last decade or so providing music for films and television series. After doing quite a bit of work with Oliver Ston...
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A&H dLive makes its mark in Madrid

A&H dLive makes its mark in Madrid Friday, 15 January 2021 Ángel Colomé from the Juan March Foundation with the dLive S5000 in the Auditoriums control room Spain - Since 1975, Madrid’s Juan March Foundation Auditorium has offered the city’s population a rich offering of live music, generally classical, free of charge. The venue recently renewed its digital audio mixing system (supplied and installed by integrator Area Suena), replacing it with a modern solution from Allen & Heath. Base...
Spain General Allen Heath Madrid Juan March Foundation Auditorium Juan March Foundation Juan March Foundation Auditorium Area Suena

Two years in, Sony wants to bring 360 Reality Audio to the masses

January 14th, 2021 At CES 2019, Sony had a glass room in its massive trade show booth. In the middle of the space was a small table with a single speaker resting on top. At first glance, I could tell the device had multiple drivers, as three were clearly visible from the top. What came next was my first demonstration of Sony’s 360 Reality Audio -- immersive, room-filling sound from a single speaker. Two years later, the company introduced that unit as the SRS-RA5000: one of two Sony connected...
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Yusuf/Cat Stevens reimagines his masterpiece album, "Tea for the Tillerman"

Yusuf/Cat Stevens reimagines his masterpiece album, "Tea for the Tillerman" In an interview with Yusuf/Cat Stevens, the singer-songwriter talks about the sequel, "Tea for the Tillerman 2" and other current releases. Author: Cat Stevens performing on British television in 1970. Photo by Ron Howard/Redferns In an interview with Yusuf/Cat Stevens, the singer-songwriter talks about the sequel, "Tea for the Tillerman 2" and other current releases. By Ken Sharp In 1968, after surviving an almost dead...
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Apple 27-inch iMac (2020)

Apple 27-inch iMac (2020) Apple iMac 27-inch 2020 model in all its glory. BONUS WEB EXTRA REVIEW! Could Apple’s latest 27-inch iMac be the perfect all-in-one at the right price for musicians and audio engineers? The first iMac was released by Apple over two decades ago, on 15th August 1998. And whether one remembers the original Bondi Blue translucency, the genial Anglepoise-esque design with a flat-panel display, the less fondly remembered white polycarbonate enclosure, or the sleek, modern ...
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