Page 53 - Production Value News Today

>> you miserable bitch! >> there was a bigness to the stories. and they could afford to do it on a network if youre doing one episode a week. you cant do that if youre doing five episodes a week for a daytime show. so just the production value gave it that pizzazz. >> if you cant have it, watch other people with it, or so say the three networks who are programming nearly 40% of their primetime fare with series about the very rich, and the public is devouring it at such a rate that make-believe m...

Soap box, wasted, back then are three new facebook pages and all part of a growing brand of russian-backed influence campaigns, according to brett schafer. >> this is clearly targeted at left-leaning millennials who are going to be engaging in digital content. the production value is high. most of this looks like it could have come from vice or buzzfeed. >> yet it is state funded. >> its definitely state funded. you can pull the german registration data. >> reporter: we did. the facebook pages a...

Digital content. the production value is high. most of this looks like it could have come from vice or buzz feed. >> yes it is state funded. >> its definitely state funded. you can poll the german registration data. >> we did, the pages are all run by a berlin company mostly owned by rt and funded by the russian government. rt is considered their propaganda outlet by the u.s. director of national intelligence. the report called rt part of the propaganda machine that contributed to the influence ...

On a network if you are doing one episode a week. you cant do that if you are doing five episodes a week for a daytime show. so just the production value gave it that pizzazz. >> if you cant have it, watch other people with it, or so say the three networks who are programming nearly 40% of the primetime fare with series about the very rich and the public is devouring it at such a rate that make-believe money has become ratings gold. >> the characters were larger than life, they were more evil an...

>> steed: so, the miami episode, i got one note from tony. hes like "the great beauty," watch it. ♪ >> mo: the party scene in that movie is absolutely extraordinary and massive in scale. >> steed: we have a certain amount of money to make the show and thats like a high-high production value, so immediately the minds like how are we gonna do this? ♪ >> mo: theres a scene with a woman dancing in "the great beauty" and so we needed to kind of articulate this idea. >> steed: mo, the burliest of ...

Having fun. >> i know whats wrong with you. the empty-armed madonna. mourning the baby that she couldnt have and the baby that she almost got to adopt. that is it, isnt it? >> you miserable bitch! >> there was a bigness to the stories. and they could afford to do it on a network if you are doing one episode a week. you cant do that if you are doing five episodes a week for a daytime show. so just the production value gave it that pizzazz. >> if you cant have it, watch other people with it, or so...

You cant do that if you are doing five episodes a week for a daytime show. so just the production value gave it that pizzazz. >> if you cant have it, watch other people with it, or so say the three networks who are programming nearly 40% of the primetime fare with series about the very rich and the public is devouring it at such a rate that make-believe money has become ratings gold. >> the characters were larger than life, they were more evil and more cunning and manipulative. and more gorgeous...

And they could afford to do it on a network if you are doing one episode a week. you cant do that if you are doing five episodes a week for a daytime show. so just the production value gave it that pizzazz. >> if you cant have it, watch other people with it, or so say the three networks who are programming nearly 40% of the primetime fare with series about the very rich and the public is devouring it at such a rate that make-believe money has become ratings gold. >> the characters were larger th...

[ lightning strikes ] and so, we were always trying to do it within our budget. >> steed: so, the miami episode, i got one note from tony. hes like "the great beauty," watch it. ♪ >> mo: the party scene in that movie is aolutely extraordiny and massive in scale. >> steed: we have a certain amount of money to make the show and thats like a high-high production value, so immediately the minds like how are we gonna do this? ♪ >> mo: theres a scene with a woman dancing in "the great beauty" and ...

And so we were always trying to do it within our budget. >> so, the miami episode, i got one note from tony. hes like, the great beauty. watch it. the party scene in that movie is absolutely extraordinary, and massive in scale. >> we have a certain amount of money to make the show, and thats like a high, high production value. so in our mind, how are we going to do this? >> theres a scene with the woman dancing in "the great beauty." we need to articulate this idea. >> oh, the burliness of our...