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Guns and Virons: Artist Mel Chin on Why His 1993 Performance at Dia Continues to Resonate Today

Thirty years after Mel Chin pointed a rifle at the heads of an audience, the artist re-examines his eerily prescient work, 'I See.'

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We Have Colonized Potentiality: Artist Jordan Deal Reflects on Public Gathering as a Space of Sanctuary and Peril

As part of a series of essays commissioned by PROTODISPATCH, artist Jordan Deal offers a video artwork and a poem about public gathering.

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What We Hold in Common: Making Meaning by Collecting Objects and Narratives of the Present, the Earth, and the Deep Past

"What We Hold in Common" by Ximena Garrido/Ishmael Randal Weeks is the latest in a series of artist essays commissioned by PROTODISPATCH.

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Three Hong Kong Filmmakers on Making Documentary Under the Gaze of the State

This is the first essay commissioned by PROTODISPATCH, a new publication featuring artists addressing transcontinental concerns.

Hong kongSoult ukpyolsiSouth koreaUnited statesCity ofUnited kingdomTiananmen squareHong kongersLaura raicovichTan pinWoon chanYi choiUmbrella movementHong kong arts development councilNational securitySeoul museum of art

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