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Review: Los inocentes
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Guillermo Benet • Director of Los inocentes
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film profile] would go on to receive a Special Mention in the Permanent Revolutions section of the Seville European Film Festival and be named best film in the Escáner section at Márgenes. With the film poised for general release in Spain, we settled down with the director in person â masked-up, of course â in the cosy ambiance of Madridâs Ocho y medio bookshop.
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Cineuropa: Do you miss doing public Q & As, obviously impossible in Seville last year?
Guillermo Benet: I do, because Iâm a big fan of the Seville festival and Iâve been a few times, but at least we were able to hold screenings at the Film Academy, and it all worked fine. But one week in, I was itching for some audience interaction.
Guillermo Benet multiplies the number of characters by six and condemns them to suffer through one fateful night of drama desperate, life-altering and almost unbearably tense
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The title, a highly charged blend of meaning and irony, refers to the young men and women who, quite unwittingly, react in contrasting ways to a tragic, chaotic and confusing event. Although they all play a role, some more active than others, no official charges are ever brought against them. One tries to numb out from the cruelties of reality, turning to drugs and sex; another accepts a certain (probable) guilt; others take refuge in anger and defensiveness. Each displays one possible (and plausible) response, born of profoundly human emotions.