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Carnatic vocalist to perform at Sri Venkateswara Lotus Temple in Virginia: Exclusive interview with Charulatha Mani

TM Krishna's Sangita Kalanidhi Award Controversy: Debating Art, Activism & Carnatic Music Reform

Kunnakudi Balamurali Krishna's pure Pallavi concert showed his skills in music and math

Akkarai Sisters played with orchestral precision

Akkarai Sisters played with orchestral precision Updated: Updated: The siblings bring the tonal contrasts of their vocal duets to their violin performances too Share Article AAA The siblings bring the tonal contrasts of their vocal duets to their violin performances too Sometimes, it’s hard to choose between a violin duet and a vocal duel of the Akkarai Sisters, but on Monday, it was easy. Their violin concert for MadRasana Virtual Festival 2020 was a veritable two-in-one in which they literally sang through their violins, often living it up in expressions and speeds that the normal human voice may not easily able to match.

The JA Jayanth Interview: 'My eternal quest is to find point where human voice, sound of my instrument become one'

Although rooted in Carnatic traditions, Jayanth has a unique sound that often traverses generic barriers, thanks to his early exposure to Hindustani and other forms of music and cross-cultural collaborations. Even when he is playing the most Carnatic-sounding ragas such as Bhairavi and Kamboji, the sound of his flute appears universal and cosmopolitan. It’s both pastoral and urban; and is peaceful, meditative and nuanced. Among the younger generation, he is probably one of the most well-spoken and cosmopolitan artistes. His music has cross-generic influences, he performs across the world, does collaborative work and even have an un-Carnatic sartorial style.