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The first time I visited Matanzas’ massive Castillo de San Severino, a centuries-old oceanfront structure built by enslaved Africans, the experience was personally transformative for several reasons. On one hand, this UNESCO world heritage site exquisitely honors the structure and the island’s intertwined histories with Spanish colonization and African enslavement, while on the other works as a space for education, as well as displaying the work of current Black Cuban artists. Since the beginning of summer, as the tide of international artists publicly siding with Palestinian resistance against Israeli apartheid continues to grow, I can’t help but recall a memory from the top floor of the

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