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BEST PICTURE The Nominees: “The Father,””Judas and the Black Messiah,””Mank,””Minari,””Nomadland,””Promising Young Woman,””Sound of Metal,””The Trial of the Chicago 7.” COYLE: A contemplative character study made for $5 million and populated by non-professional actors, Chloé Zhao’s “Nomadland” is not your typical Oscar heavyweight. And yet it’s overwhelming the favourite, a roundly acclaimed movie from an exciting auteur that has already ruled at the Golden Globes, the BAFTAs and, most crucially, the producers and directors’ guilds. The weirdness of this unending pandemic awards season adds a drop of uncertainty to everything. But as much as I’d like to see “Sound of Metal,””Promising Young Woman” or “Minari” sneak in for an upset, “Nomadland” is a near-lock, and an eminently worthy winner. But it’s udder madness that Kelly Reichardt’s lyrical “First Cow” never contended here. And how muc

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