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The Vigil s horror goes way beyond a nasty spirit
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The Vigil Review: Dave Davis horror movie is just the right tinge of spooky with grief as the main villain
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It’s been a long time coming a horror film set in a Hasidic section of Brooklyn, where much of the dialogue is in Yiddish. Films that deal with the supernatural are certainly no stranger to Jewish lore and culture. Since the advent of cinema, there have been several films made about dybbuks, demons and golems, movies produced in Europe, Israel and the United States, movies in Hebrew, Polish, French, English, and now once again in Yiddish.
In his debut feature film “The Vigil,” film director Keith Thomas trains his camera lens on the Boro Park section of Brooklyn, where an OTD Jew (or “off the derech” a term that refers to a Jew who has left the Hasidic world), is in search of a different life.
Considering their reputation as dump months, January and February seem to have over-delivered on the horror front in 2021. We ve already had Chloë Grace Moretz fighting chauvinism, Nazis, and airborne gremlins in the fun monster mash-up
Shadow in the Cloud. And Nicolas Cage continued to embrace the genre that best suits his wild-eyed persona in the gonzo animatronic slasher
Willy s Wonderland. Even the reboot that no-one really asked for,
Wrong Turn, managed to breathe new life into the unfathomably long-running hillbilly franchise.
However, only
The Vigil, which is finally arriving in the States this month (it debuted at the Toronto International Film Festival back in September 2019 and has been on other Netflix territories for months), can lay claim to being the first truly great horror of the year. Cleverly released to coincide with the celebration of deliverance from evil known as Purim (Feb. 26), it s also perhaps the first truly great horror to be so firmly entren