It is an incredible, incredible space. And program. His work resides in the sachi and smithsonian and others. He has written about in art publications his work was recognized by Time Magazine as one of the top ten inventions of 2012. It is represented by lonkini gallery in london and now i would like to have him come up and speak. [ applause ] im benat and based in amsterdam and i want to show you some works. So, my work and installations, and sculpture and photos and site and working on the architecture or the history of the location. I am interested in a motion of friction between construction and de, construction and the physical state of a building and a moment of revolution and perishableness and in these transitional situations you are not sure what you are looking at. Nor this is as a clear function yet and therefore it is opened for interpretation and it is really interesting. And this work broad art, it is really the space that is important. Because it is the location the muse
And de, construction and the physical state of a building and a moment of revolution and perishableness and in these transitional situations you are not sure what you are looking at. Nor this is as a clear function yet and therefore it is opened for interpretation and it is really interesting. And this work broad art, it is really the space that is important. Because it is the location the museum that gets the contexts to just change the interpretation of this painting while it is resting against the wall for a brief moment. And i will. Yeah. So often work with the situation to do with duality and the question inside and outside and size. The function of materials and architectural elements. Yeah, i find it interesting when a work comes in between reality and representation and it will in the end not really function and that is also a good example is also the work in the show at the gallery, at the moment. And so, this work is in the street view and then in 2009 i participated in a res
Archiving and curating and publishing and i thought it was just amazing that i have the power at my fingertips to do anything that i wanted without any sort of limits only right here was the only limit and so the site really features other peoples work and i dont put my work on it and it is basically, i thought, what can i do Something Like interview magazine like warhol did . I have the tools and i started five years ago and it has grown into huge proportions, i think when i checked there are 150,000 unique visitors a month reading it. So it has gotten quite an audience, but really it is something that i would love, it is just pure passion and it is also a selfeducation of mine on display and my own interest. And i think i will wrap it up. Thanks. [ applause ] so for those of you who came in late, if you could hold your questions, we are not going to do a formal q, and a, but i will ask each of the panelists to stick around and if you want to chat with them one on one, they will be ve
Chosing various points of view and it presented to me this huge canvas of america, you know, that was pretty massive in terms of geography and yet just a small window and we dont see into these peoples lives and we dont really know what is happening outside of the frame or where they are going and we dont know anything about them. So i went through exploring places that went from urban areas to small little towns along the border between mexico and the u. S. And a lits dusty towns or right in downtown baltimore and i spent a huge amount of time doing that. So if you think about it, this robot takes the picture and it takes a picture consistently from the same place and it is really i guess objective. More objective than any taking pictures. Any journalist would also present a point of view. There is no point of view initially when these pictures were made, but then i am coming in and creating a point of view from within this ocean of imagery. As a flip through a few of these and let yo
Is just pure passion and it is also a selfeducation of mine on display and my own interest. And i think i will wrap it up. Thanks. [ applause ] so for those of you who came in late, if you could hold your questions, we are not going to do a formal q, and a, but i will ask each of the panelists to stick around and if you want to chat with them one on one, they will be veil for a little while to do that. Our next panelist is melissa. They earned her ba in 2005 and her ma in 2007. She worked in new york at christies auction house and the time warner center, the Museum Experience includes the Research Positions in new york and the victor annual beter museum in london. She has been a member of the curtorial team of San Francisco since 2008. And currently holds the position of assistant curator for european art. It has supported works from the 15th century, such as the mourners, cultures from the court of bergandy to the 19th century, including van gogh, and beyond master pieces. And she ser